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Ștefan Bucureșteanu

Updated: Aug 10, 2020


Traditional Artist


"My craft is painting and drawing. I mainly create my work on canvas and walls. My artwork is a combination of oil paint, spray paint, markers and crayons. I combine them freely, as long as it suits my imaginary process. Also, I do murals using spray cans, sometimes freely, other times for people who demand it. (ex: fitness gyms, bookstores, etc.)

Everything I freely create comes out of letting my imagination work for myself, while consciously controlling it. Otherwise, when it comes to working on demand, I always adapt to peoples preferences. "


For additional artwork and inquiries Facebook: www.facebook.com/bucuresteanu.stefan.165/


Judith Nangala Crispin

Updated: Aug 10, 2020


Mixed Media Artist


"My name is Judith Nangala Crispin and I am a poet and visual artist, working primarily at the intersection of printmaking, drawing and photography. 

I call my process Lumachrome Glass Printing, which is a term I've invented. It is a combination of antiquated cameraless photography techniques, lumen printing, chemigram and cliché-verre, together with drawing. Images on the page are generated, quite literally, from light, earth and flesh. It is light alone that manifests these colours and shapes- not paint or anything that can be completely controlled. 

I began working this way while searching for my family’s lost Aboriginal ancestry. A group of Warlpiri law women, all painters, in the Tanami Desert took pity on me - seeing me not as someone who belonged to white and black cultures, but as someone who belonged to neither - and they to me spoke often about 'Kurruwari', patterns in the landscape. Country talks to us through Kurruwari, the way wind shapes the desert to look like water, the constellations as maps of sacred sites on the ground. When women paint their bodies for ceremony, it is Kurruwari - their way of speaking to Country - a shared language. These Lumachromes are my response to the idea of Kurruwari. Every print I make reconfirms my commitment to share language with Country - gradually, little by little, that connection strengthens. These works are deeply rooted in the idea of a shared language with Country - not an inherited language, gained through DNA or lineage, and not something theorized by scholars. I am not speaking, in these works, about identity or the politics that surround that issue, instead I am trying to say something about the possibility, for everyone, of forging a genuine personal connection with the landscape, with the ground they walk on.


To make these images I arrange blood, clay, sticks, leaves, seeds, resin, ochres, etc., with road-killed animals or birds, on light-sensitised paper. Exposed 24 to 50 hours, while the sun arches east to west, fibre papers produce surprising arrays of colour. Over this I layer cliché-verre plates coated with resists of wax or paint, scratched with wire to create lines. Sometimes I run electric currents over these plates to produce crystals in the ochre. For finer detail, I use chemigram variants, painting compounds like selenium or copper chloride directly onto feathers, scales or fur. My process is different, adaptive, for each print. If an animal is still bleeding, I paint its blood into the image during exposure. Ochres, seeds, sticks, and other materials, are sourced where the animal or bird was found. If insects come, their tracks are incorporated into the work. I use any medium at hand to emphasise detail - eyeliner, mud, vegemite, crayons, whatever is around. When the print is complete, the creatures are respectfully buried. "


For additional artwork and inquiries

Crystal Davis

Updated: Aug 10, 2020


Poet | Visual Artist Medium: Writing, mixed media, acrylic, digital painting, and photography "My work is inspired by nature, color, and the utilization of practical craft through art in the visual and written form. I am a mixed media artist, a freelance writer, editor, and social media marketer. I was born and raised in New Jersey and I am the author and creator of Crystal Letters and the co-producer of OpenRoad Poetry. My art and writing projects, Crystal Letters and OpenRoad Poetry, have collaborated with local arts non-profit organizations and artists across the Tri-State area.

My work has been published in several print and online publications, including MookyChick, In Her Words from Thinking in Full Color (2019), Emerging Poets 2019 and 2018 from Z Publishing, Magazine Vol. II (2017), Unapologetic Women (2017), and PATHS from New Jersey City University (2015)."


For further artwork and inquiries

Email:

Crystallettersofficial@gmail.com

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